在介紹範例之前先回顧一下轉動相關的語法
\fr[<x/y/z>]<degrees>
<degrees> 設定 x/y/z 軸的轉動角度，\fr 預設為 \frz
\t([<t1>, <t2>, ] [<accel>,] <style modifiers>)
<t1>, <t2> 動畫開始結束的時間區段，[ms(1/100秒)] (選用)
\org(<x>, <y>)
移動原點至 (x,y)，依旋轉方向移動字幕時很好用
接著一邊看範例一邊認識轉動的效果吧
[教學] SSA/ASS 字幕實戰教學 Ｃｈｐｔｅｒ.6-3 轉動
版主: skyrain
Ｃｈｐｔｅｒ.6-3 轉動
Σ(ﾟдﾟ)
突然跑出好像很可怕的動作出來了（大多是座標計算_|￣|○
在解說這個之前還是得先介紹基本動作吧
為了方便觀察動作，以下字幕皆對齊中下方（Alignment=2），並設置旋轉基點
未設org的時候，轉動基點為字幕的座標（pos）
從數學上來說明的話，org座標為原點，到字幕的距離為半徑X，則字幕座標為(X,0)
轉動角度與位置的關係請參照數學課本XD
frz or fr
左圖（由上至下，以下為了方便閱讀皆將後三句的相同部分刪去
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K366}{\K67}
{\org(320,240)\fr0\t(0,220,\fr135)}強さに
{\org(320,240)\fr0\t(0,220,\fr90)}強さに
{\org(320,240)\fr0\t(0,220,\fr45)}強さに
{\org(320,240)}強さに
右圖（由上至下
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K366}{\K67}
{\org(320,240)\fr0\t(0,220,\fr180)}強さに
{\org(320,240)\fr0\t(0,220,\fr-135)}強さに
{\org(320,240)\fr0\t(0,220,\fr-90)}強さに
{\org(320,240)\fr0\t(0,220,\fr-45)}強さに
字幕繞著座標320,240，以逆時鐘方向為正向作轉動
如果字幕在基點上方，則0度角為12點鐘，90度角為9點鐘方向，依此類推
沒有org時+方向為汽車方向盤左轉
frx
左圖（由上至下
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K366}{\K67}
{\org(320,240)\pos(320,400)\fr0\t(0,220,\frx150)}強さに
{\org(320,240)\pos(320,400)\fr0\t(0,220,\frx105)}強さに
{\org(320,240)\pos(320,400)\fr0\t(0,220,\frx60)}強さに
{\org(320,240)\pos(320,400)\fr0\t(0,220,\frx15)}強さに
右圖（由上至下
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K366}{\K67}
{\org(320,240)\pos(320,400)\fr0\t(0,220,\frx-165)}強さに
{\org(320,240)\pos(320,400)\fr0\t(0,220,\frx-120)}強さに
{\org(320,240)\pos(320,400)\fr0\t(0,220,\frx-75)}強さに
{\org(320,240)\pos(320,400)\fr0\t(0,220,\frx-30)}強さに
沒有org時+方向為遠離觀眾的方向倒
fry
上圖（由左至右
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K366}{\K67}
{\org(320,400)\pos(480,400)\fr0\t(0,220,\fry150)}強さに
{\org(320,400)\pos(480,400)\fr0\t(0,220,\fry105)}強さに
{\org(320,400)\pos(480,400)\fr0\t(0,220,\fry60)}強さに
{\org(320,400)\pos(480,400)\fr0\t(0,220,\fry15)}強さに
下圖（由左至右
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K366}{\K67}
{\org(320,400)\pos(480,400)\fr0\t(0,220,\fry-150)}強さに
{\org(320,400)\pos(480,400)\fr0\t(0,220,\fry-105)}強さに
{\org(320,400)\pos(480,400)\fr0\t(0,220,\fry-85)}強さに
{\org(320,400)\pos(480,400)\fr0\t(0,220,\fry-45)}強さに
沒有org時則+方向為鬆開螺絲的方向（逆時針
突然跑出好像很可怕的動作出來了（大多是座標計算_|￣|○
在解說這個之前還是得先介紹基本動作吧
為了方便觀察動作，以下字幕皆對齊中下方（Alignment=2），並設置旋轉基點
未設org的時候，轉動基點為字幕的座標（pos）
從數學上來說明的話，org座標為原點，到字幕的距離為半徑X，則字幕座標為(X,0)
轉動角度與位置的關係請參照數學課本XD
frz or fr
左圖（由上至下，以下為了方便閱讀皆將後三句的相同部分刪去
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K366}{\K67}
{\org(320,240)\fr0\t(0,220,\fr135)}強さに
{\org(320,240)\fr0\t(0,220,\fr90)}強さに
{\org(320,240)\fr0\t(0,220,\fr45)}強さに
{\org(320,240)}強さに
右圖（由上至下
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K366}{\K67}
{\org(320,240)\fr0\t(0,220,\fr180)}強さに
{\org(320,240)\fr0\t(0,220,\fr-135)}強さに
{\org(320,240)\fr0\t(0,220,\fr-90)}強さに
{\org(320,240)\fr0\t(0,220,\fr-45)}強さに
字幕繞著座標320,240，以逆時鐘方向為正向作轉動
如果字幕在基點上方，則0度角為12點鐘，90度角為9點鐘方向，依此類推
沒有org時+方向為汽車方向盤左轉
frx
左圖（由上至下
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K366}{\K67}
{\org(320,240)\pos(320,400)\fr0\t(0,220,\frx150)}強さに
{\org(320,240)\pos(320,400)\fr0\t(0,220,\frx105)}強さに
{\org(320,240)\pos(320,400)\fr0\t(0,220,\frx60)}強さに
{\org(320,240)\pos(320,400)\fr0\t(0,220,\frx15)}強さに
右圖（由上至下
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K366}{\K67}
{\org(320,240)\pos(320,400)\fr0\t(0,220,\frx-165)}強さに
{\org(320,240)\pos(320,400)\fr0\t(0,220,\frx-120)}強さに
{\org(320,240)\pos(320,400)\fr0\t(0,220,\frx-75)}強さに
{\org(320,240)\pos(320,400)\fr0\t(0,220,\frx-30)}強さに
沒有org時+方向為遠離觀眾的方向倒
fry
上圖（由左至右
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K366}{\K67}
{\org(320,400)\pos(480,400)\fr0\t(0,220,\fry150)}強さに
{\org(320,400)\pos(480,400)\fr0\t(0,220,\fry105)}強さに
{\org(320,400)\pos(480,400)\fr0\t(0,220,\fry60)}強さに
{\org(320,400)\pos(480,400)\fr0\t(0,220,\fry15)}強さに
下圖（由左至右
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K366}{\K67}
{\org(320,400)\pos(480,400)\fr0\t(0,220,\fry-150)}強さに
{\org(320,400)\pos(480,400)\fr0\t(0,220,\fry-105)}強さに
{\org(320,400)\pos(480,400)\fr0\t(0,220,\fry-85)}強さに
{\org(320,400)\pos(480,400)\fr0\t(0,220,\fry-45)}強さに
沒有org時則+方向為鬆開螺絲的方向（逆時針
而我們也可以利用長轉軸來做出跳動感
Dialogue: 15,0:00:43.45,0:00:45.90,Kanji1,,0000,0000,0000,Karaoke,{\pos(208,440)}{\fad(300,100)}{\fscy90}
{\K60}{\org(3500,0)}
{\K17}{\r\1c&Hff0000&\bord3\fr0\t(600,600,\bord5\fr0.2)\t(600,770,\bord3\fr0)\t(800,970,\1c&Hff&)\t(1200,970,\1a&Hff&\3a&Hff&\4a&Hff&)}あ
{\K21}{\r\1c&Hff0000&\bord3\fr0\t(770,770,\bord5\fr0.2)\t(770,980,\bord3\fr0)\t(970,1180,\1c&Hff&)\t(1370,1180,\1a&Hff&\3a&Hff&\4a&Hff&)}る
{\K19}{\r\1c&Hff0000&\bord3\fr0\t(980,980,\bord5\fr0.2)\t(980,1170,\bord3\fr0)\t(1180,1370,\1c&Hff&)\t(1580,1370,\1a&Hff&\3a&Hff&\4a&Hff&)}に
{\K18}{\r\1c&Hff0000&\bord3\fr0\t(1170,1170,\bord5\fr0.2)\t(1170,1350,\bord3\fr0)\t(1370,1550,\1c&Hff&)\t(1770,1550,\1a&Hff&\3a&Hff&\4a&Hff&)}は
{\K17}{\r\1c&Hff0000&\bord3\fr0\t(1350,1350,\bord5\fr0.2)\t(1350,1520,\bord3\fr0)\t(1550,1720,\1c&Hff&)\t(1950,1720,\1a&Hff&\3a&Hff&\4a&Hff&)}あ
{\K16}{\r\1c&Hff0000&\bord3\fr0\t(1520,1520,\bord5\fr0.2)\t(1520,1680,\bord3\fr0)\t(1720,1880,\1c&Hff&)\t(2120,1880,\1a&Hff&\3a&Hff&\4a&Hff&)}る
{\K17}{\r\1c&Hff0000&\bord3\fr0\t(1680,1680,\bord5\fr0.2)\t(1680,1850,\bord3\fr0)\t(1880,2050,\1c&Hff&)\t(2280,2050,\1a&Hff&\3a&Hff&\4a&Hff&)}け
{\K40}{\r\1c&Hff0000&\bord3\fr0\t(1850,1850,\bord5\fr0.2)\t(1850,2250,\bord3\fr0)\t(2050,2450,\1c&Hff&)\t(2450,2450,\1a&Hff&\3a&Hff&\4a&Hff&)}ど{\K20}
這整個是一句敘述，在刷色開始的「瞬間」轉角0.2度＆放大邊框，再回復原狀
Dialogue: 15,0:00:43.45,0:00:45.90,Kanji1,,0000,0000,0000,Karaoke,{\pos(208,440)}{\fad(300,100)}{\fscy90}
{\K60}{\org(3500,0)}
{\K17}{\r\1c&Hff0000&\bord3\fr0\t(600,600,\bord5\fr0.2)\t(600,770,\bord3\fr0)\t(800,970,\1c&Hff&)\t(1200,970,\1a&Hff&\3a&Hff&\4a&Hff&)}あ
{\K21}{\r\1c&Hff0000&\bord3\fr0\t(770,770,\bord5\fr0.2)\t(770,980,\bord3\fr0)\t(970,1180,\1c&Hff&)\t(1370,1180,\1a&Hff&\3a&Hff&\4a&Hff&)}る
{\K19}{\r\1c&Hff0000&\bord3\fr0\t(980,980,\bord5\fr0.2)\t(980,1170,\bord3\fr0)\t(1180,1370,\1c&Hff&)\t(1580,1370,\1a&Hff&\3a&Hff&\4a&Hff&)}に
{\K18}{\r\1c&Hff0000&\bord3\fr0\t(1170,1170,\bord5\fr0.2)\t(1170,1350,\bord3\fr0)\t(1370,1550,\1c&Hff&)\t(1770,1550,\1a&Hff&\3a&Hff&\4a&Hff&)}は
{\K17}{\r\1c&Hff0000&\bord3\fr0\t(1350,1350,\bord5\fr0.2)\t(1350,1520,\bord3\fr0)\t(1550,1720,\1c&Hff&)\t(1950,1720,\1a&Hff&\3a&Hff&\4a&Hff&)}あ
{\K16}{\r\1c&Hff0000&\bord3\fr0\t(1520,1520,\bord5\fr0.2)\t(1520,1680,\bord3\fr0)\t(1720,1880,\1c&Hff&)\t(2120,1880,\1a&Hff&\3a&Hff&\4a&Hff&)}る
{\K17}{\r\1c&Hff0000&\bord3\fr0\t(1680,1680,\bord5\fr0.2)\t(1680,1850,\bord3\fr0)\t(1880,2050,\1c&Hff&)\t(2280,2050,\1a&Hff&\3a&Hff&\4a&Hff&)}け
{\K40}{\r\1c&Hff0000&\bord3\fr0\t(1850,1850,\bord5\fr0.2)\t(1850,2250,\bord3\fr0)\t(2050,2450,\1c&Hff&)\t(2450,2450,\1a&Hff&\3a&Hff&\4a&Hff&)}ど{\K20}
這整個是一句敘述，在刷色開始的「瞬間」轉角0.2度＆放大邊框，再回復原狀
接著回到最初的範例來做解說吧
因為動作很複雜，取其中一個字來詳解原理
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
{\org(165,-40)\pos(533,-40)\fr0\t(0,32,\fr-90)}寂
每個字從右上方開始，轉-90度（向左下方滑落）
｜＼￣
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
{\org(165,-40)\pos(533,-40)\fr0\t(0,32,\fr-90)}寂
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&\t(32,32,\1a&H0&\2a&H0&\3a&H0&\4a&H0&)
{\org(165,440)\pos(165,360)\fr0\t(32,616,\fr90\fs1)}寂
當動作一達成任務（轉了-90度）時，動作二出現
接著轉90度（向左下方），順便縮小字級
＿＼｜
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
{\org(165,-40)\pos(533,-40)\fr0\t(0,32,\fr-90)
\t(32,32,\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&)}寂
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
{\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&\t(32,32,\1a&H0&\2a&H0&\3a&H0&\4a&H0&)
\org(165,440)\pos(165,360)\fr0\t(32,616,\fr90\fs1)}寂
字幕疊在一起不好看，所以讓動作一最後消失，上面是動作合併後的樣子
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
{\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&\t(32,32,\1a&H0&\2a&H0&\3a&H0&\4a&H0&)
\org(165,440)\pos(165,360)\fr0\t(32,616,\fr90\fs1)
\t(616,616,\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&)}寂
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
{\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&\t(616,616,\1a&H0&\2a&H0&\3a&H0&\4a&H0&)
\pos(65,440)\fs1\t(616,900,\fs32)}寂
動作二的字級縮到1的時候消失
動作三出現並逐漸回復至原本的字級
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
{\org(165,-40)\pos(533,-40)\fr0\t(0,32,\fr-90)
\t(32,32,\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&)}寂
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&\t(32,32,\1a&H0&\2a&H0&\3a&H0&\4a&H0&)
\t(616,616,\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&)
{\org(165,440)\pos(165,360)\fr0\t(32,616,\fr90\fs1)}寂
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
{\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&\t(616,616,\1a&H0&\2a&H0&\3a&H0&\4a&H0&)
\pos(65,440)\fs1\t(616,900,\fs32)
\t(1200,1200,\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&)}寂
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
{\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&\t(1200,1200,\1a&H0&\2a&H0&\3a&H0&\4a&H0&)
\t(8913,10050,0.2,\fs1)\move(65,440,0,540,8913,10050)}寂
最後讓字幕陸續退場
因為動作很複雜，取其中一個字來詳解原理
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
{\org(165,-40)\pos(533,-40)\fr0\t(0,32,\fr-90)}寂
每個字從右上方開始，轉-90度（向左下方滑落）
｜＼￣
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
{\org(165,-40)\pos(533,-40)\fr0\t(0,32,\fr-90)}寂
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&\t(32,32,\1a&H0&\2a&H0&\3a&H0&\4a&H0&)
{\org(165,440)\pos(165,360)\fr0\t(32,616,\fr90\fs1)}寂
當動作一達成任務（轉了-90度）時，動作二出現
接著轉90度（向左下方），順便縮小字級
＿＼｜
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
{\org(165,-40)\pos(533,-40)\fr0\t(0,32,\fr-90)
\t(32,32,\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&)}寂
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
{\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&\t(32,32,\1a&H0&\2a&H0&\3a&H0&\4a&H0&)
\org(165,440)\pos(165,360)\fr0\t(32,616,\fr90\fs1)}寂
字幕疊在一起不好看，所以讓動作一最後消失，上面是動作合併後的樣子
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
{\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&\t(32,32,\1a&H0&\2a&H0&\3a&H0&\4a&H0&)
\org(165,440)\pos(165,360)\fr0\t(32,616,\fr90\fs1)
\t(616,616,\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&)}寂
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
{\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&\t(616,616,\1a&H0&\2a&H0&\3a&H0&\4a&H0&)
\pos(65,440)\fs1\t(616,900,\fs32)}寂
動作二的字級縮到1的時候消失
動作三出現並逐漸回復至原本的字級
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
{\org(165,-40)\pos(533,-40)\fr0\t(0,32,\fr-90)
\t(32,32,\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&)}寂
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&\t(32,32,\1a&H0&\2a&H0&\3a&H0&\4a&H0&)
\t(616,616,\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&)
{\org(165,440)\pos(165,360)\fr0\t(32,616,\fr90\fs1)}寂
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
{\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&\t(616,616,\1a&H0&\2a&H0&\3a&H0&\4a&H0&)
\pos(65,440)\fs1\t(616,900,\fs32)
\t(1200,1200,\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&)}寂
Dialogue: 110,0:01:03.69,0:01:13.74,Kanji1,,0000,0000,0000,Karaoke,{\fad(100,100)}{\K120}{\K42}
{\1a&Hff&\2a&Hff&\3a&Hff&\4a&Hff&\t(1200,1200,\1a&H0&\2a&H0&\3a&H0&\4a&H0&)
\t(8913,10050,0.2,\fs1)\move(65,440,0,540,8913,10050)}寂
最後讓字幕陸續退場